Pop & Oak contribute the O'Jays-sampling "A Couple of Forevers," one of the pair's better twinkling-ballad backdrops, and allow Chrisette's lead and background lines to dominate. Harmony handles the title track, which sounds like it had Deniece Williams in mind until Chrisette's voice slides into an empowered wail. Instead of working strictly with Chuck Harmony, as she did on 2010's Let Freedom Reign, she collaborates with several producers. Recovery from both a breakup and a negative self-image informs much of the material, from the booming optimism of the opening "Be in Love" ("I wanna love again, try one more time") to the closing "Can the Cool Be Loved?" (I'm on display, no defense/Sayin' what I say, no offense"). It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks.Three Top Ten R&B albums into her career, Chrisette Michele moves from Def Jam to Motown for Better, an album inspired by personal development. In the hip hop scene, mix tape is often displayed as a single term mixtape. Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming "official" albums. Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends"). In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop. (who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. As more tapes became available, they began to be collected and traded by fans. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa. In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.
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